Verraco lands in Australia this January.

A short run through spaces that favour pressure over polish. Inner West Sydney, a secret warehouse. Under the bridge. Miscellania’s rooftop. The Bird, Perth. Spaces with no soft edges. Hard surfaces. Low light. Systems built to be driven. Music that doesn’t decorate a space, it activates it.

The Medellín-born producer JP López sits at the front edge of contemporary club music. His work is built with precision: techno rebuilt from the foundations, Latin-rooted percussive thinking, hyper-electronica, IDM discipline and dembow-bass mechanics shaped into something instinctive and engineered. A language of movement that feels both emotional and exact.

López has become one of his generation’s most daring sound designers. An electronic futurist with a practice defined by curiosity, clarity and the willingness to take risks. His touch is unmistakable. The catalogue marks out the path. Acclaim from Pitchfork, RA and Crack placed López firmly in the vanguard. His XL Recordings debut, Basic Maneuvers, confirmed it, landing as a defining release in modern club music.

As cofounder of TraTraTrax, he helped create a platform that shifted the global conversation around Latin-made club music. The label has become a home for artists redefining identity through sound and a vital voice in the new experimental landscape.

López continues to remap not only what contemporary club music sounds like but what it can express. His work examines belonging, inheritance and the idea of constant creative renewal. The result is a body of music that moves people physically and rethinks the foundations beneath it.

Tickets on sale now.

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